“Sunna Monologue!” Fans don’t want Kartik Aaryan in PkP3.
Kartik Aaryan’s first Bollywood film was Pyaar Ka Punchnama (2011).
Young people adored him because they recognised themselves in his famous monologue.
Luv Ranjan released a sequel to the film in 2015, which was even more commercially and critically successful than the original. Kartik Aaryan’s respective monologues in the films were huge hits with younger moviegoers.
Following this, the actor starred in a string of critically and commercially successful films, including Sonu Ke Titu Ki Sweety, Pati Patni Aur Woh, and Bhool Bhulaiyaa 2.

But Kartik Aaryan has never been able to shake the moniker “the monologue king.” His celebrity has grown since the release of his first film and its sequel.
According to rumours, the actor will return for another memorable monologue from one of the series’ films.
According to Pinkvilla, Luv Ranjan and Kartik Aaryan are in talks to collaborate on the third instalment of the Pyaar Ka Punchnama film series, titled Pyaar Ka Punchnama 3.
This project is expected to start after Luv Ranjan finishes his current film with Ranbir Kapoor and Shraddha Kapoor.

The first two films in this franchise were well received by audiences, so fans are excited for the third film’s release.
However, a vocal minority online believes that Kartik Aaryan should avoid appearing in films like Pyaar Ka Punchnama because they are detrimental to his mental health.
Perhaps he didn’t have the option of passing up a lead role in a major film when he was first breaking into the industry and fulfilling his dream of becoming an actor. His devoted following expects him to be more selective about the projects he chooses to work on now that he has cemented his place in the industry.

Many things have changed in the seven years since Pyaar Ka Punchnama 2 was released. Social movements such as #MeToo have captured the public’s attention and shaped how people think about issues such as sexual harassment and assault.
A monologue that begins, “Problem ye hai ki vo ladki hai…” may elicit scepticism from today’s Indian audience, which is more sensitive to sexist and misogynistic language.
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